The Fast Draft: Permission to Write Badly

I have a confession to make. I am incredibly good at starting things. Finishing them? That has always been a different story.

My biggest obstacle has always been the urge to perfect the work before it even exists. I would write a chapter, immediately go back to tweak a sentence, fix a paragraph, and suddenly find myself three chapters deep in edits without having moved the actual story forward. I was editing instead of writing.

That is why I am currently experimenting with a method called Fast Drafting, developed by author Jessica Brody. The core philosophy is wonderfully simple: the first job is to finish the story. Making it good comes later.

The approach is built around three simple rules:

Keep Moving Forward: Get the story out of your head and onto the page without looking back.

Take Notes, Don’t Edit: When you spot something that needs fixing, jot it down for later rather than stopping to fix it immediately.

Embrace the Clunkiness: Give yourself permission to write terrible dialogue, flat descriptions, and imperfect scenes. 

There is something incredibly liberating about this process. It means the sentence I just wrote doesn’t have to be brilliant. It just has to exist. After all, you can always fix a bad page—but you can never fix a blank one.

If you want to explore this method yourself, you can find more about it through Jessica Brody’s Fast Drafting course at Writing Mastery, or in her book, Page One to Done.

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